New Revu! Janey Street – “I’m Not The Girl I used To Know”

Photo-2013-04-06-Janey-Street

 

Janey Street, “I’m Not The Girl I used To Know” [BER 1016  Blue Elan Records]

Envision a young girl with her coloring book, singing and humming original nursery rhymes and songs her mama taught her and you will feel what I feel about listening to Janey Streets’ “I’m Not The Girl I used To Know” advance EP CD. It is a musical coloring storybook.

I took the disc on a road trip recently in order to get out of the negative, big city element, and received a whole new perspective and inspiration from these four songs. The autobiographical title song is the least of the five on this sampler that I like.  Not sure what she and her writers were going for there.  I would have lead with “Tears Taste The Same” which has a Fleetwood Mac-ish introduction from the very first notes. It is upbeat and the lyrics full of vivid analogies.

“Situation” is my favorite because of the social statement it makes that is very relatable to all of modern humanity and the advice therein.  “It’s just a sit-u-ation transformation ain’t nothing new/so when you freak out, its probably nothing and it happens to ev-rey-one…”

“Paradise” is another change of pace and syncopation. I channel a Joni Mitchell spirit was in the studio with Janey on this one!  Last, but certainly not least, is my second fave on this short scrapbook, “Bring It On”.  I heard some notes that conjure Cher to my mind.  “If you think you’re gonna prove me wrong, bring it on…” Confrontation is cool!

All in all, this is a nice teaser for a forthcoming full album that is due for a June 24, 2016 release, that is sure to be a pleaser across several radio formats and for a performer who has worked and prayed for the success she is due.

I can bless this memory book with two-and-a-half stars.  2_and_a_half_stars_copy.jpg

Please ad your impressions of Janey’s music in “comments”.

 

 

 

 

New Music Revu: Pete Scobell Band

Now, just to reaffirm to you, I only qualify as a Country music critic by dint of my living in good ole Nashville, Tennessee for twelve years through the 2000s until 2012 and because I covered three CRS conventions for Michelle Jasko’s, Nashville Radio Syndication which required me to hang out with copious Country music artists front as well as back stage and reacquaint myself with similar Music Industry types who I knew from my Top 40 radio DJ days, circa, 1979, et al, thereby gleaning that “Country Music peeps are just like everybody else in “the biz” – often quite nicer to interact with.  Our country, America the Beautiful, needs more of that kind of cross-cultural interaction!

I preface this thusly because of the incredible man and protector of our American way of life this recording artist, Pete Scobell, is!!  How does a Navy Seal become a Country music performer? Well, one reason is because it was always in his nature! Music is not just a hobby nor something else he wants to try to conquer.

Even though the folks who wanted me to review Pete advanced the first single, “Walkin’ A Wire”, which is a catchy song, I quickly passed on that to dig into the whole CD album which they also sent. My ears quickly latched upon cut two, “Guns & Roses”.  This is a hit music song with many attributes around relatable lyrics in the “now” plus an equivalence to another world-famous band.

In this great album are many songs with relatable and vivid lyrics borne of struggles all of us have experienced. Take, for example, the very tame “WILD”, which is about when your best friend is buried in the ground before your eyes. On the other hand, a few tunes sound like just another country song like “The Fight”.  My other favorites are the Country-funky “Dive Bar” (“…where they still play Hank and crank that ole Country with a steel guitar…”) and the very relatable, introspective “Disappear” which caused me to become sad the first time I listened to it when I heard him sing “seems like everything I love slips through my hands….” I took some weeks away – maybe it was the juxtaposition of my personal struggles and Martha sending me this music?  So I eventually dove back into the album and found a kind of musical salvation. “Feels Like You Know Me” rocks out with great drum work and a stand-out hook, “…Jesus on Sunday!”  For those of us who question whether our prayers are ever heard, let alone answered there is “There’s Gotta Be A God” ~ Amen.  I cried real tears at the end of the first time I listened to it.  You will want to hear it and again I emphasize the relatable lyrics on this incredible album!

The next-to-last track, “Hearts I Leave Behind”, first struck me due to the military-style drum marching band ending-to-fade which caused me to revisit the song, re-read the liner notes and learn that this was originally a song he recorded with Wynonna Judd!  “I Live in the hearts of those I leave behind” is strong stuff with the classic Country American instrumentation. As a drummer, I love the rolling drums to fade!! It is my second-place favorite!

“What ever happened to just seeing what happens” got me off my lazy bed to write more about this music!

Last, but surely not least is “Friends With Money” with a very different, conversational on-location intro.  Again, more very clever lyrics that denote how Pete is helping us process our lives today. “I got God and I got church/I got a gun if that don’t work…” lol Love it.

Thanks to a team of songwriters and Pete’s personality, we get to listen to a production of today’s life and frustrations which just might, with appropriate airplay, help cure many of the negative afflictions we hear about here in today – the future which is now.

Hey, I am about a rare thing here! Five Gold Guitars!!!  I never DO this.  I learned to feel this whole album.  Maybe it was the South Carolina trip that put Pete over the mediocre threshold, lol !!

5 gold guitars

Pickhitt: Major Props to Ms. Martha Moore for staying on me to listen and review this album.

Trumpeter Whistling, “Lonely Bull”

“The magic of my jukebox-like brain is that when a tune from the past enters it and presses “play” automatically, I can usually find it and/or name it, with the help of YouTube, in seconds! “

Yesterday,  I’m sitting at my boring work desk and haven’t thought about this tune in decades, when suddenly it is in my mind all of the time and I whistled it aloud perfectly as when it was on the radio daily back in the 1960s. The magic of my “jukebox brain” is that when a tune from the past enters it and presses “play” automatically, I can usually find it and/or name it with the help of YouTube, in seconds! So I “google” Herb Alpert and as soon as the “Greatest Hits” album comes up first and I see that familiar A&M Records olive-green label and the first cut, “Lonely Bull”, I was confident that I had my tune du jour.

I believe that simple familiarity is part of the alluring beauty of the music of this bygone era. Suddenly, I could have been in a scene at a Riviera resort in a James Bond (Sean Connery) movie or something! lol  Doesn’t it sound like the background music for one of those scenes?

Herb played a Chicago Benge in the TJBrass days, later a Yamaha, and then a Sima trumpet. I’ve read where he said that the trumpet is not as important as practicing. Practicing scales on the trumpet is boring.   I wish I could interview Mr. Alpert.  I feel like I grew up with him or  maybe he helped me grow up because I used to play the trumpet. My dad, a stiff of the military’s World War II bands wanted me to just practice scales, but Herb Alpert, Al Hirt and Miles Davis shaped my interpretation of the horny horn through the years and I wanted to play words like they did!

Herb Alpert is the man who played the contemporary disco dance classic, “Rise”! I betcha didn’t know that.  More on it later because this post is about Herb Alpert and The Tijuana Brass’ “The Lonely Bull” as penned by me, “The Lonely Cheetah“.

Now lets jump to his many performances of it over fifty years beginning in 1962! I especially enjoy the one from 1969 where he wore the Star Trek-like “Captain Kirk” shirt and leaned a bit more to the right and waay back from the microphone! lol  I think it one of his signature stances.

Measure several of those performances of this against the slower and more tempered original studio version on the video below, please.  Pour yourself a class of Merlot or Cabernet Sauvignon and check out this first one, the whole “Lonely Bull” album.

Wow! What a run! I am glad he is still with us in the physical world to possibly blow more magical notes, if he so desires. I wanted to get in-touch with him for this post, but didn’t know how.  Googling A&M Records went nowhere and I gleaned that the label is a casualty of the corporatization of the music industry that we used to know. However, my interview of Herb Alpert research lead me to this insightful video, where we get a flavor of the cool of Mr. Alpert and his philosophies on life and his approach to playing.

Geez, we all age and grey to some extent, but I will always remember the suave, energetic and excitable band leader seen in the above videos – not that he is finished as I write this, by any extent.

And oh, about “Rise” my classic dance 12″ I mentioned above?  From “My Vinyl”collection, here you go:

Any similarities between “Rise” and “The Lonely Bull” that you’d like to discuss?  Just blow some comments at me below!

 

 

 

 

 

Irenka, “Wait 4 It” Revu

“I don’t Need No Lover (except to hold me through the night from time-to-time)…”

Welcome to thee (you) who have read my first all-inclusive blog, https://achilliad.wordpress.com/ , since November of 2009.  You are now at my new, long-thought-about and sometimes discussed, via my initial blogging motivator (my amigo and Alum, Grady from Adelphi University), offshoot and narrowly focused effort in the blogosphere which will only present via one one of my strengths: writing reviews that comment and critique music, past, present and future!  My long-standing main problem was creating a name for this one, oddly enough, which finally came to me and allowed me to move forward with it so, “Come on over!”

My first review for this new blog station is for an EP I received from a beautiful LinkedIn connection named Irenka.

It is against the backdrop of the cowardly and horrific Islamist bombing of the Brussels airport that I pen this review of music by a native daughter of that country which bothers no other and I cannot understand why those scum continue to slaughter and maim innocents instead of fighting a nation’s armed forces face-to-face; sissies!

Well, on to her important music EP, “Wait 4 It”.

Iren

I must have met Belgium’s hot foxy female vocalist, Irenka, during my twelve years living in Nashville, Tennessee, right? Or Nyet.  I would have remembered such a creative presence, energy and figure as hers!  The first sound that I hear on track one “Comme Si” is Irenka clearing her throat. I said, “What??” Listened again; however, quickly those sounds turn into her spittin’ like a Euro human beat-box meeting Soft Cell’s 1981 “Tainted Love” – at least in musical key – as she then croons in French, the lingo most speak in Belgium. The last time I listened to this much lyrical love language was on Dimitri From Paris’ 1998 “Sacre` Francaise” or when I reviewed the various artist Playboy Club remix back in 2009. Scare Bleu!

“Dreamland”, track two, is an introspective, somnambulistic ballad where she displays her vocal range for the first time. This and the next selection where she lets her fingers do the singing on track three are perfect for a cloudy day. Irenka is really playing a beautiful classic-style piano solo instrumental! I know because I asked her. Next up and showing an inner versatile similarity to the late Amy Winehouse but with a better voice, or Billy Holiday, she styles on, “I don’t Need No Lover (except to hold me through the night from time-to-time)”  This reminds me of New Orleans blues-jazz in the street especially because of the brass accents. At one point I was unsure whether Irenka would hit the climbing high-note – but she did.  You will know it when you listen.  It is a song that harkens me back to the days of, “Hubba-hubba!”  Finally, she rocks out with the last track, “A Reason To Hate Me”.

The video, “Comme Si”, takes us on a musical personal journey and is full of familiar scenes from my twelve years living there in Nashville/

Athletic…insn’t she?

Upon learning of the repulsive, pusillanimous Brussels airport attack, act we communicated and her reply, in great musician style was, Luckily all family is safe, but it is nonetheless terrible, and it is our duty, we the artists, to bring peace and love to this crazy world!”

The world is not as crazy as some of these recent lunatics who inhabit it and I might have been at first on the fence in limbo about Irenka, but now that I have listened copiously and seen her video, there is no “reason to hate” on Irenka with three-and-a-half introductory and hopefully motivating musical stars. 3-and-one-half-star-rating