Route 66, My Natural 2109 Theme Song

This is truly “full circle” stuff and this post is now where it really belongs, here on my musik-ONLY satellite blog after making its debut over on the Mothership.
I took a midnight shower in early June, after penning this post.  Needing to try to breathe in the shitty house I moved into which smells of mildew, mold and who-knows what other toxins which my sensitive, bronchial Asthma lungs detect.  Go fund me outta there, here I come!

You see, At this juncture in life, I cannot take much bullshit. I act outside the “box” pro-actively as a Baby Boomer must, whenever I can!
I am now traveling on Route sixty-six,
and
Need to give you youngsters
A quick educational ride;

Like it or not.
The song brakes too quickly!

Hop on and maybe knowing I played for you,
Will help me sleep better.
This jam is jazzy!

You can always rewind this tape and escape or revitalize
As we did happily back in the 1960s with this classic TV show.
Yet, I just want you to know about it.

Go to Youtube or the library and check out the DVD,
So you can get into this TV episode;
These two guys didn’t take no s***
That is, if you are reading this and
Too young to already know.
My sixty-six is just the right time
To go young if she is hot and solo.

Tatoos are a flagrant fad these days.
No need back when only sailors did it.
In the days of surly tough times,
Straight talk and problem solving
Raised upon classic nursery rhymes.
Non politically correct;
I might get one before I sink,
All along Route 66.

Just dig the music over and over again;
Keep looping it!
The horny horns;
A flirty la flirty piano,
His groovy guitar.

Today I am its number and claim my theme song;
At long last.
Listen now and forget to remember
Or remember when to forget who you think you are.

“Play it again, Sam”

 

…and for non-musik-related content, visit “the Mothership blog” at www.achilliad.wordpress.com  Thank you and please leave comments.

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A Real “Rochelle, Rochelle” Musical!

“Imagine what you’d get when you marinate a down-to-earth, fine cut of talent with a sprinkle of Dolly Parton, a smidgen of Maureen McGovern, a dash of Stevie Nix, and a teaspoon of Cher…”

Rochelle front

Richmond, Virginia, April 21, 2019 – One of the great things about traveling the Airbnb way is that you meet some very interesting people, on an almost neighborly and intimate level, in a short period of time! I have gotten to cook in some very well-stocked kitchens and love to taste and cook gourmet dishes to chow on with a smorgasbord of sound in the background.  Check out my latest, recipe:

Imagine now, what you’d get when you marinate a down-to-earth, fine cut of talent with a sprinkle of Dolly Parton, a smidgen of Maureen McGovern, a dash of Stevie Nix, and a teaspoon of Cher?  Mix all into a bowl with her lead-guitar husband “Boz”, funky horns (including a baritone sax), Hammon organ and solid percussion.  Don’t let it simmer too long before firing it up, and you get medium-well done and tasty to your ears, the rangy Rochelle Harper (and her Mississippi band) jammin’!

She told me her music is “Americana” and while defined as contemporary music that incorporates elements of various American roots music styles, including country, roots-rock, folk, bluegrass, R&B and blues and also often uses a full electric band, to debate categorization is a whole other post.  I’ll highlight the tunes that swooned me on recent road trips, transcending mere categorization.  If you must narrow, I’d play several of the songs on my Contemporary Hits, Top 40 and jammin’ music radio stations!

Her 2014 solo effort, “Lilt” is in a class by itself, while her band showcases and performs under a more funky, free-form umbrella.  The first song from “Lilt” is a mid-tempo rocker called “Bittersweet”. Its soulfully fulfilling because the lyrics are realistic and hook repeated often,  “You’re the thing I shouldn’t do, but I know I wanna do anyway…”  Next is “Stars Out” which brings Fleetwood Mac to my DJ mind. They could have changed the ending to a vamp-to-fade and gone on longer, IMO.  I kept hitting ‘repeat’, trying to keep the feeling!!!

 

At this point,  I am needing to reach for a lyric sheet because, like most great crooners, we mortals cannot always understand the heartfelt words!  One of those occasions where, sometime in the future, you hear a cut and suddenly understand what they were singing all along!  Rochelle rear

The disc settles-down after that, into “Cajun Wind” and “Say”, two tracks that let her explore forks in her vocal road that may be more in-tune with that “Americana” thing; she sounds like Cher here, for the first time on my drive (she will again on “Angelina”), and I am just crossing the South-to-North Carolina border on I-95!

Suddenly, there I sat, while the road was closed for a still inexplicable reason – I-95 used to never come to a standstill as I remember it – I shut the music off, in frustration while we sat still for at least sixty minutes. There went my ETA of the day.

When we began to move fast again, Rochelle helped me find my favorite and a-pro-po jam, “Highway One”!  Becoming a tune-wedgie, I’ve played it again and again.  The guitar solo sounds a bit like that of Redbone on the classic 1971 song, “Maggie” and its brass from the outset gave my trip momentum like the legendary Memphis Horns section. Rochelle also covers Bobby Gentry’s “Ode To Billy Joe” on this album.  I’d had enuff of that one growing up, but it might be insightful for a younger audience to listen to.  On “Comin’ Home Again” we are happily greeted by Randall Bramblett’s Hammond B3, and throughout this poppin’ buster, his presence is prevalent like pew prayer in church.

Finally, Rochelle’s signature message song, I suspect, after having talked to her a few times at our AIRbnb Inn, is the reggae-rocker, “Universal Love” whose lyrics – and she wrote eight of the eleven songs – identify her as a strong “Rasta” goddess voice in a body of a natural Gulf Coast girl. Major props to Blair Shotts, whose solid drumming caught my ears, as a once-upon-a-time drummer.  He does Motown accents really well!

Rochelle jacket

When she first introduced herself to me I thought of Seinfeld’s “Rochelle Rochelle!”  With wishes to hear newer success and happier for having met this couple, my rating is  four-out-of-five, “Peace Within Music” signs, (like Rochelle’s Hippie pants) peace-sign-1066713_960_720!

** Next post,  I will revu the separate Band album, Mississippi Hippie Blues.

This video is a sneak-preview:

 

**Sureshot: Please remember to check out my other Rochelle-related review and other topics at the Mothership blog, achilliad.wordpress.com

Marvin Gaye Finally Has His Own US Postal Service Stamp! I Wonder What He’d Say…

“‘Did you hear you have your own postage letter stamp, Mr. Gaye!?  Naw Man, I’m “Too Busy Thinking About My Baby”.’..

marvin-gaye-stamp

Would he ask, “What’s Goin On?” Or say, “What’s Happenin’ Brother”?  Maybe he would have suspected this day would come and say “Oh I Heard It Through The Grapevine”… followed by, “I’ll Be Doggone” upon looking at it for the first time!  ‘Did you hear you have your own postage letter stamp, Mr. Gaye!?  Naw Man, I’m “Too Busy Thinking About My Baby”.’

Or, maybe he would not like the likeness of himself and have the “Inner City Blues” (Make Me Wanna Holler)”.  And by-the-way, why didn’t they use a red wool cap on his head like on the “Lets Get It On” album cover?

Or he might say nothing much, like in “Trouble Man” or “T” Plays It Cool…

 If he went to the Post Office and tried to get a mat of them, and the postal worker at the counter didn’t recognize him and asked for “$8.18, please…”, Marvin might go, “Oh, Mercy, Mercy Me (The Ecology)”.     

586104-L0

If they asked him to advertise the stamp, he could say to all of us, “Come Get To This!”, even.

He might be overjoyed and say, “How Sweet It Is To Be Loved By You”, Postal Service!  Marvin might view the honor with “Joy” and consider it the “Dream Of A Lifetime”. He’d say that you “Got To Give It Up” to the mail carriers and message the Postmaster General, “You’re A Wonderful One”!

 

He might suggest a “Diana & Marvin” stamp to bring the honor “All The Way Around”. “Gates” as we called him, would certainly have thought a stamp dedicated to “Save The Children” would be more appropriate.

The philosophical Marvin might reply to the interview question about how it feels to be honored with a postage stamp with, “That’s The Way Love Is”.

In his soft-spoken way he might advise, if you write a love letter with hopes of getting a little “Sexual Healing”, that you seal the deal by using his stamp on the envelope…

On behalf of Marvin, I thank the USPS Musical Stamp Director for “Your Unchanging Love”.

gaye_marvin_marvingay_114b

 

*Remember to check out my mothership blog, achilliad.wordpress.com for more general topics and opinion.  Thanks for reading and commenting!

My Vinyl: James Ingram Impressions

“…James Ingram and Jeffrey Osborne shared the same era in Urban soul music, competing for chart position in Billboard and other music industry trade magazines and papers of the day…”

I never, “Just Once”, met nor saw James Ingram “live” in-concert during my on-air disc jockey career travels from radio station-to-station. He wasn’t high on my list because he kind-of never rose to the level of Luther Vandross,, Lionel Richie or Al Green, but I dug his honest, loving sound and liked talking-up or back-announcing his records. He was maybe, too “clean”?

When “One Hundred Ways” came out in 1981, on Quincy Jones’ “The Dude” album (“the black album  cova”), I recall using that song to impress the lady of my desire who I was dating back then as a punctuation to a Valentine’s Day or anniversary day surprise.  It worked!

Dude

It is interesting how “Q” (Quincy Jones) always manages to find previously undiscovered voices and bring them to the fore successfully.

James Ingram and another similar R&B crooner, Jeffrey Osborne shared the same era in Urban soul music, competing for chart position in Billboard and other music industry trade magazines and papers of the day in the early 1980s.  I recall waking up to it in the middle of many afternoons when I was an overnight DJ – I was hooked by the soap opera, General Hospital at the time and somehow it became a theme song – I guess it was Luke and Laura’s love song…

PATTI-AUSTIN-JAMES-INGRAM-BABY-COME-TO-ME-Solero
 

I can still hear the late Frankie Crocker announce, “Patti Autin…James Ingram…Baby COME to Me….on 107.5,WBLS…” circa 1980.  

I have no special relationship between my vinyls of James Ingram.  They are just tools in his song catalog which, upon opening recall hints of past romance and love for me during that era.

 

 

There’s No Waning Mark on Glasmire, Thru My Eyes (and ears) 

[Nashville, Tennessee, December, 2018] Proving that you can put a new slant on tried and true formats, is listening to the new album by Mark Wayne Glasmire [Traceway Records MWGCD 2018-1] who “Can’t Be Denied” stardom.  Take out your neatly included little lyric booklet, so you can follow along with me…

GlasI

From the first snare drum accents of “I’ve Got A Feeling”, this album captivates you into the professionally gleaned clean sound of “MWG”.   Hark! I think I even hear a friendly banjo pluckin-away and soulful, groovin’ organ on that first track! Yes! Checkin’ one of the SoMuchMooreMedia press advances, I read that we are hearing wonderful Wanda Vick on banjo, fiddle and mandolin (I so wanna see her, upon hearing this!) and Dennis Wage on the Hammond B3. It all comes so-together from start-to-finish on this record musically;  the band is tight.

Next in line, the very relaxing ‘Those Nights”, my first-favorite song here and reminiscent of The Eagles in the the late 1970s/early 1980s of my early Top 40 DJ days on the radio.  It changes the pace of the former by starting with a three-note piano flair, the bluesy, plaintiff organ and then midway through a classic Country music piano/guitar solo interlude. I frown my face up to keep from cryin’ with joy.  The more you listen, the more you’ll love it.

I have a feeling that Mark “Can’t Be Denied” consideration for a CMA award.  This tune continues the feel of the former, flowing naturally next; great song positioning! I love the unique way the guitar’s three note progression becomes the hook!  Tracks four and five play in the same key and “Alysia” is the best of that hook-up. This song is somehow reminiscent of “Spanish Lei”, an instrumental on the late Barry White’s Love Unlimited Orchestra’s “White Gold” album.  Mark sings to and the guitar workings, (“bling, bling,bling…”) reveal her Latino roots. “Hey Alysia, (strum, strum, strum), You’re inside my [musical mind] heart …” It must be the mandolin; all they need is a marimba to complete the south of the border groove!  She also mixed into my head magically, on other songs of the album as I went about my daily chores in recent weeks while working-up this review.

The sixth song, “Borderline”, is a bad-ass story of waking up to a bad day, a card game gone sour and attempted escape, only to cross that final ‘borderline”, that we all must at some point.  Shades of Kenny Rogers on this one and I like that kinda storytellin’.

With so much to describe on this album, I don’t want to leave much out nor bore you because I “Feel Your Love”, as Mark so cleverly works real talk lingo into the lyrical mix. You have to hear how he hides the last word in this (paragraph) to know what I mean,  “I guess that I could walk away and hang it up with dignity and class/But I would rather swing away and tell them all to kiss my…aaaaa-asss!”  I smile out-loud, every time I hear it.

Unfortunately, we all know someone  “Gone Too Soon”  these days.  A a nice fiddle interlude contributes perspective within the complimentary guitars and a Glen Campbell-style feeling throughout.  “This Too Shall Pass” is a sobering ballad towards the end of the album, that addresses earthy, serious topics in all of our lives and its so philosophically introspective that I almost teared-up again, here at the end of a oft-sobering 2018 year. “Sometimes I sit back and wonder/How I made it this far/Nothing to show for the battles I fought/But the pain and the loss and the scars…”  

Honorable mentions to check out are, “Deep Inside” for your traditional uptempo Country music jam-party foot-stomper and “Frying Pan Into the Fire” to hear some of our elders favorite admonitions when we were going up, in-song.  ‘I’ve got a feeling’ that Mark will be heard at the upcoming 2019 CRS in Nashville and wish I could spy it.

This is cool, traveling and radio ready – even in radio’s current configuration – music.  An Adult Contemporary, Americana or Country Music Director would have to be deaf not to add these tunes; yet, use’em sparingly, because the album can last a long time. With a glossy CD cover that spells label commitment, I couldn’t even make notes on it with a sharpie!

GlasII

Congratulations, Mark! Major Props on producing music that truly touches all bases and produces potential dreaded “tune wedgies” at every other track. Five-out-of-five Country acoustic guitars is my rating.  5 gold guitars

Thanks for reading, please comment, if you wish and remember to check back to my “mothership connection” blog at www.achilliad.wordpress.com anytime for non-music  opinion.

Paul Manchin Pools a “Swim”

“Paul has a penchant for adding a few instrumentals late in the game/ I wonder if he will revisit those tracks on his next album – but this time with lyrics added seeing how he sounds when the majority of songs are new originals…” 

When you listen to a Paul Manchin album, you are guaranteed variety of sound, increasing, Michael Franks-style vocal creativity and his own, slightly quirky arrangements which transcends genres – even if not intentionally. He seems a slightly  sad and solitary soul who expresses his sullen longings via these vacillating tracks.

“Swim”, complete with sound effects, is the first song and if you’ve seen the “Lift” video, you know that he is stroking in his pajamas, dreamlike. It needs not be weird – yet is surely and slightly thus.  Pull your swimsuit drawstrings tight for the ride!

Swimm

The next pool dip is “Lift” (you make my day) and then the jazzy “What Makes People Happy”, followed by a remake of a song from his previous, “Salutations” album, “Take A Ride”; another cut is the same, but with a funky beat.  Are we in Remix City, Paul?

On track five, he explores Madonna’s 1980s smash, “Like A Virgin”, a totally different way.  I teased him that Madonna is going to come after him and, to my surprise, he replied that he secured permission from her!  Apparently this isn’t the first time Paul has covered it either. He did so back during his Fly-Life days on the 2011 album, “Prolific”.  Hmm.. This time it blends into “Blackjack”, another cut from his last collection.  “Power of Love” is a beautiful piano solo ballad. “Fly”, my favorite and representative of how I first met Paul Manchin, is a nice dance club number with breakbeat-into-the-mix possibilities for DJs.

I really love his respectful, guitar-only cover of Elton’s “Your Song” (track nine).

Tracks ten and eleven, “Chance” and “Decline” respectively, are both big beat instrumentals and “Trinity” is basically sfx and a pure question mark for this listener. Number fourteen, is really jazzy, while “Promise” takes us back to Paul’s penchant for adding a few curious instrumentals late in the game.  Any chance he will revisit those tracks on his next album – this time with lyrics added?  “Want” sounds like a piano soundtrack from a horror movie!

Track sixteen, “Wonder” is my second-place favorite here.   It also apparently has two remix versions, inside an overall retro theme, taking us back to the 1960s “British Invasion” sound of the likes of The Dave Clark Five on one; the next remix is ten years hence from the former. What is very troubling is that in the video for this song, he burns and acoustic guitar! What did this have to do with the lyrics?  Why not put out the album version and then the remix version as a single and video?!

Just snorkel-spy “Try”, and listen to an introspective guitar monologue.  “One” is also from the previous ‘Salutations’ album; this time with a different beat.  How bout more original new fare and fewer remixes, Paul?  Some of the blends and revisits seem random and are confusing to those listeners who desire a more consistent thematic approach to their listening.

That being said, this bath is the most listenable Manchin album throughout that I have enjoyed by him.  Four out of five stars for listenability ( the burning guitar almost makes me deduct a point).  I want to see how he sounds when the majority of songs are new originals – even if fewer overall – in the deep end.  Please do not drown us in remixes next time!  four of five stars

 

Please remember to stop by the ‘mothership’ blog, www.achilliad.wordpress.com to read what is currently goin’ on.  Thanks and please keep the dialogue going with a comment.

As my years pass, this song stops by sometime for perspective.

“As mortality creeps and years pass, sometimes my jukebox DJ mind plays the last four lines of this theme…”

[With Credit to Jerry Bock, lyrics by Sheldon Harnick and genius.com]

There was once [circa 1971] a popular Broadway show called, “Fiddler on the Roof” whose most famous song, “Sunrise, Sunset”.  It took place during the wedding of  characters Tzeitel (Tevye and Golde’s daughter) and her childhood friend and tailor, Motel. The whole Jewish community of Anatevka celebrates with them, and everyone watches as the couple have the ceremony.

The first half of the song has Tevye and Golde as they wonder how time flies, whilst the second half has Hodel – Tevye and Golde’s second daughter – and Perchik wonder about their own future, hopefully together.

A beautiful and melodic musical number, “Sunrise, Sunset” encompasses many of the important themes of Fiddler on the Roof: community, religion, time, tradition, family, and, of course, love.  As mortality creeps upon moments and years passing, sometimes my jukebox DJ mind plays the last four lines of this theme.

 

[TEVYE]
“Is this the little girl I carried?
Is this the little boy at play?[GOLDE]
I don’t remember growing older
When did they?[TEVYE]
When did she get to be a beauty?
When did he grow to be so tall?[GOLDE]
Wasn’t it yesterday when they
Were small?[MEN]
Sunrise, sunset, sunrise, sunset
Swiftly flow the days
Seedlings turn overnight to sunflowers
Blossoming even as we gaze[WOMEN]
Sunrise, sunset, sunrise, sunset
Swiftly fly the years
One season following another
Laden with happiness and tears[TEVYE]
What words of wisdom can I give them?
How can I help to ease their way?[GOLDE]
Now they must learn from one another
Day by day

[PERCHIK]
They look so natural together

[HODEL]
Just like two newlyweds should be

[PERCHIK, HODEL]
Is there a canopy in store for me?

[ALL]
Sunrise, sunset, sunrise, sunset
Swiftly flow the days
Seedlings turn overnight to sunflowers
Blossoming even as we gaze

(and here is my favorite lyric because it is relevant, the older we get.)

Sunrise, sunset, sunrise, sunset
Swiftly fly the years
One season following another
Laden with happiness and tears”

[Please be sure to hop on over the my Mothership blog http://www.achilliad.wordpress.com and see what’s hot.]