“Lets Give Them Something To Talk About…”

“…Bonnie Raitt impresses me as a veteran who knows a thing or two, and who music industry types cannot put “something over” on. ..”

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Out of the blue, or maybe her red hair (now with a white streak!), my jukebox-like mind selected this classic 1992 Bonnie Raitt jam on this cold, winter’s night, to keep me warm. I had to write the title down on a sticky because I knew I wanted to blog it here, as my first Grammy winning recording artist revisit post of 2018.  I like this song! It smacks of keeping things going and controversy.  Maybe I’ve played it during my early Top 40 radio DJ days on an overnight stint or two, but it didn’t phase me as much as it does now.  Music is peculiar like that. Like when suddenly, you recognize the words to a favorite song you’ve heard and mumbled through thousands of times!

A cute redhead in tight blue jeans passed me as I was leaving Publix supermarket this afternoon. Her back was to me, pursuing a shopping cart, when I said softly, “Bonnie Raitt”. She caught it; turned and smiled at me.  Maybe I should have taken it further than just a return smile.  Seems like I’m trying to “get lucky” at Publix these days.  Hmmm.  Maybe I can give them workers there somethin’ to talk about, like a love connection! I digress…

In the video below, you can enjoy this confident and talented woman who crosses musical genres like a New York City pedestrian crosses the street.  I didn’t know that she had a guitar named after her, and is the first female guitarist to have received that honor (Fender)! Major props.

Bonnie Raitt impresses me as a veteran who knows a thing or two, and who music industry types cannot put “something over” on.  She’s got that “look” in her eye.  A rock and Roll Hall of Famer, she also reminds me of my musical acquaintance, Janey Street, who also plays guitar.

I would love to interview her and apply my two score in radio as a DJ to a future review.

 

Check her cool website out! https://www.bonnieraitt.com/

Please add your impressions on Bonnie in “comments”. Happy New Year 2018!

Fave Recording Artists Who Passed in 2017

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The thing about when musicians, singers and recording artists pass away to join that grand band in the heavens is, we mortals left behind can continue to hear them on our vinyl, CD, tape or virtually forever.

Having said that, the following are my notables who I will miss seeing “live” as they left the physical world in two-thousand and seventeen:

 

Chuck Berry – the rock and roll pioneer who I blogged about on the Mothership, www.achilliad.wordpress.com right after it happened.

Fats Domino – American blues pioneer and legend

Al Jarreau – not a personal favorite (his style distracted me) but he was widely popular and always a good request to play on my early Top 40 radio shows.

Mel Tillis – The Country music legend

Gregg Allman – backbone of The Allman Brothers, one of my best rock bands of all times

J. (Warren) Geils, Jr. – of the J. Geils Band, another fantastic rock group.

Tom Petty – What can I say about this favorite who was introduced to me during my early years as a Top 40 radio DJ; Tom Petty and the Heartbreakers.  The first record I played by them on WFTQ AM, Worcester, Massachusetts was “Don’t Do Me Like That”, followed by the classic, “Refugee”.  Sad irony is that he died during the same hours of that tragic and horrific Las Vegas concert massacre on October 1st.

Joni Sledge – I think the oldest of the hit family group, Sister Sledge (Atlantic Records), one of my all-time favorite female aggregation. In spite of the commercial success and longevity of “We Are Family”, my favorite Sister Sledge songs are the ballad, “How Can I Believe”? and the Chic-produced (Nile Rogers, et al) “Lost In Music”.

Cuba Gooding, Sr. – Last, but not least on this list, best known as the lead singer of the R&B smash hit group, The Main Ingredient.  After I first interviewed him at Manhattan’s Sweetwater’s, he became a friend and hang-out partner at bars and after-hours clubs we frequented back in the 1980s and 1990s. I will write more extensively about him here, once I am reunited with my music library collection.  We have “stories”!  A great guy who I am saddened to learned died where he did. ‘Nuff said 4 now.

 

This is not, by any means, the whole list, but just a few who came to my jukebox-like mind yesterday, New year’s Eve.  Who are your favorite performers who we lost in 2017?  Tell us in “comments”, please.

Happy Musikal New Year, from KratesfullO’Jointz Musik!

If The Fates Allow

“Have Yourself A Merry Little Christmas”

Have yourself a merry little Christmas
Let your heart be light
Next year all our troubles will be
out of sight
Have yourself a merry little Christmas
Make the yule-tide gay
Next year all our troubles will be
miles away
Once again as in olden days
Happy golden days of yore
Faithful friends who are dear to us
Will be near to us once more
Someday soon, we all will be together
If the Fates allow.

When Was the last time “My Cherie Amour” by Stevie Wonder stoked your heart?

Hey check it out live and sing along to this classic…

I still have the 45rpm, I still have the tears in my eyes that applied to every girlfriend this song was made for; I still wonder why not and wish that you were mine.

Janey Street, “In My Own Skin”

“Janey doesn’t look especially happy on this album cover.  Ummm… So I think I will get under her “skin” to find our why.  Oh!  A musical album again!!

Nashville, Tennessee – August 31, 2017 Naphtali Jimi – Freelance Writer

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Ok, gang…“let’s listen!…”

This twenty-seventeen summer was not a bummer because Janey “Blues” Street dropped some coolness from within, on an album entitled, “In My Own Skin”.  Fresh off her award-winning tour and being voted LA Music Critic’s award “Best Rock, Best CD and an Icon Award in Hollywood, Smooth and easy Janey unabashedly continues to croon and apply a tender touch to her guitar, like she always does, with this fresh set about life, love, sex and music.  I have listened to this CD often during my car travels this summer and apologize for the late write-up, which, however,  is just in time for some introspective, romantic, Autumn leaves listening. Its never too late for nice music.

Janey Street’s latest album is like when you visit a friend’ house to grill and chill many a tasty feast, from seafood to tasty meats.  With just the right spice, a beverage and deep flavors, you will know that Ms. Street can be depended upon to deliver musically.  Upon initial listen, frankly I was underwhelmed until I heard cut number eleven, “Dignity”, with its hip-hop bridge, “Tryin’ to work a 9 to 5 to make a livin’/bills just keep on coming, they keep takin’ with no givin’…” then and there I put the brakes on, as the hairs on my own epidermis stood up.  I had to revisit the album, to hear what I had previously missed.

My ears found that, track two, “When You Are Loved” is the most appealing and heartfelt song on this album.  It brought tears to my lonely eyes several times because of its relatability.  Many hurting humans can relate to it and it would even garner today’s radio program directors’ airplay as the first single, IMO.

The whining, “woooo”, bluesy organ on “Guilty Pleasures” and her Marvin Gaye-ish over-dubbing vamp-to-cold ending vocals make this tune my second favorite one. “Undone” is UNder the radar, not a cover of The Guess Who, (although I wish it were) and the most blusey-County music-leaning tune on the album.      IMG_1732

No track is like another one on this, her sophomore album with Blue Elan, which includes this neat song lyric insert to the right!  There is something for almost everyone. The most fun tune is one from her distant past, Queens, New York City roots entitled, “Under the Clock”. Compare the first and recent videos about it.

Even more entertaining to my double entendre` radio DJ mind from the pre-corporate radio daze, are a few songs like “Sex Is Easy, But Love Is Hard”, “Wrap My Mind Around You” (really?) and “I Wanna Love You Deep”, all of which are getting my brains hard.  I can rework all of those lyrics amusingly, in a sexual healing heartbeat! (towel needed) Get some, Janey!

Bottom Line: Ms. Janey Street can leave a musical legacy like Janis Joplin, given proper promotion and support by great, pro-active public relations, an out-of-the-box thinking label, consistent touring and supportive mass media. Otherwise, her efforts may go down like track nine, “Wreckage”, which is not what I want to see. Therefore, I bestow three-and-a-half out of five, skinny stars for this album.  3-and-one-half-star-rating

We would have liked to have seen her also on this 2017 version for a grownup comparison! Alas…

Please leave your opinions in the “comments” box. Thank you for reading and remember to check in with “the Mothership” at www.achilliad.wordpress.com

Brighter Side of Darkness – “Love Jones”

“Just those first French horny notes, Da-da-daa, Da, da, da,daaa”, would cause men to rush to find that special lady …”

The epitome of a slow jam to me is still “Love Jones” by The Brighter Side of Darkness.

Back when I thought that a career in radio as a DJ would lead me to my promised land, I developed a show concept called “The Pajama Bar”.  I was encouraged to pursue novelty in Top 40 radio as opposed to becoming just one of the bunch in Urban or “Black Radio at the time by my mentor.  In retrospect, I realize that was partly because my expert Mentor analyzed my speaking voice and style, which was not typical (what we now call “Ebonics”) of most Black American guys on the air. Sure, I could and can break-off the slang with the best of my boyz from the Hood, but he heard that what came natural to me, due to my upbringing, was that I “sounded like a white boy” sometimes to the untrained, naked ear.

I specialized in evening and overnight shift radio. Part of my rap on the air was that I brought you music from the “brighter side of the darkness we call ‘night’”.

The Brighter Side of Darkness were four kids out of the “Windy City”, Chicago and were the precursor to the black American kid groups like New Edition, twenty years later. One of the first times a very young boy voice, in the person of 12 year-old Darryl Lamont was a featured R&B lead, reminiscent of The Five Stairsteps and little “Cubie”.

Just those first French horny notes of “Love Jones”, Da-da-daa, Da, da, da,daaa”, would cause men to go rushing across the room to find that special lady that they had their eyes on during the party, in order to catch that up-close slow dance.

I lost this album to the WBLS, New York City music library and then Music Director, Mae James, during my brief days there from 1984 – 1986 because my personal music library was even more deep than theirs and I brought my own records in sometime, to help enhance their sound. I liked Mae, but I shoulda just lent the 45rpm, but they didn’t have the album version, which featured a longer ending with additional monologue, more “ooh-ahhs”” and signature of this song, brassy French Horns and full orchestra in-tow all along to the extended vamp fade to the ending!

Back when groups had strict choreography, this was the same 20th Century recording sound studio and some of the same full orchestra that produced the late Barry White’s legendary hits like “Can’t Get Enough of Your Love, Babe”.  The lyrics were almost comical, “What baby? What is a Love Jones?/like last Friday in class, when Mr. Russell was giving us the test. I was sitting up staring at you. I know I failed. Huh, a test paper, with nothing but my name on it?”  but the term “love jones” quickly made its way in the lexicon of romantic dating linguistics.  If you’ve comprehended anything I’ve written then all I want to hear from you in the comments, Doll, is that you too, have a “Love Jones”.

Compare now:

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Remember, check out my mothership blog for more serious topics at https://achilliad.wordpress.com/