A Lyrical Tune Wedgie Haunting Me, “Now, I’m The Loneliest man in town”

1972 – Black Ivory Better known for the classic, “You And I” and “Don’t Turn Around”

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1972 – Any University, metro New York; dormitory:
The Soul music singing group, Black Ivory, better known for the classic, “You And I” and “Don’t Turn Around” is heard in the hallways regularly.  However, this is a personal Kratesfullojointzmusik mission I write about tonight. Hauntingly, I share it with thee as it teases me, for your obvious non-judgmental amusement.

The best lyric of all, in my opinion and dominion is the one this post is following. Maybe because I am an elf or maybe due to my status or fungus, but it is, “Now, I’m the loneliest man in town”. None-no-fun, as we used to say back in the day.

I am often that and morosely in-perpetuity. So, what? Need a hot fox to keep me company. One with the bosom of classic actress, Ann Margaret; maybe a red head, like I saw in the supermarket yesterday. Butt (lack of ass) who knows?
They say a supermarket is the best place to meet a chick! Nyet. Please bring your discount card! Didn’t work; couldn’t think up something to say to her. Now (again) “I’m the loneliest man in town”.
And so it comes to me that I am again making new friends and acquaintances in a distant city and where the crutch is the bible belt and the women are not as forthcoming sexually.

Fast-forwardly I, the Master, came to the Carolinas to rid myself of the cold and to be near the ocean, initially. Yet it is not the main reason, because retirement looms.

I am only lonely because [use your imagination or fill in the blank] And If it didn’t, I would fly, marry her according to their rules and bring her back to the USA, so that I would finally have the companion I need to walk up to the sun together with now. Damn…

Nevertheless, Sing, Brothers, Sing! Perform my comfortless burg’s principles!

The Long-Awaited Rick Monroe EP: “Gypsy Soul”

“From one “Gypsy Soul” to another, there is certainly nothing wrong with that theme nor this diverse set of songs encompassing it…”

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June 20, 2017; Nashville, TN.  My man Rick and the band present six tunes that will linger in your musical mind long after you turn your player off. If you remember, I covered his performance in Ladson, South Carolina at the “Honky Tonk Saloon” last February (I still can’t believe there is really a venue with that name! lol)  This CD sampler dropped last month.  I mentioned to Rick that, since I do not have a CD player in my new apartment, that I could only review it while driving in the car and he said the trips might have to be short because it is an “EP”. you know what?  I took many  pleasurable “short trips” to listen again and again…

Here are the tracks. In reverse order, they are:

The bluesy and soulful with Memphis-like horns, “Rage On”; a Country-rocker, the first one I would play on my ‘Pajama Bar’ radio show, “Moment Like This”; a great title song, “Gypsy Soul”; the mid-tempo with sexy-delicious lyrics, “Ease On Down”; another C-Rocker (rock-her) in “Better” and his romantic smash from the winter of 2017, “This Side of You”.

I dig the many metaphors on “Better”!  “She’s like that first sip of coffee/that first drag on a cigarette…”  Great word-pictures! I once had one whose kiss was “like that first sip of an ice-cold Heineken” lol

Cut four is the title track, “Gypsy Soul” and some of those lyrics could be part of my personal theme song; I really identify with it! No non-rebels need apply.

From one “Gypsy Soul” to another, I believe, as a man who is nomadic as a “gypsy”, if you ask some of my peers who don’t know I know how they feel about me, there is certainly nothing wrong with that theme nor this diverse set of songs encompassing it.  I do want to mention the late, great Curtis Mayfield and The Impressions who sang the R&B hit, “Gypsy Woman” because of the title and lyrical neighborhood point of reference herein.

While Rick Monroe’s core audience is Country music, he surly can cross over into other genres.

This is a five-acoustic guitar EP5 gold guitars!  I rage that you bring on the full album, Rick! Safe travels, Pioneer.  Cheers.

(I’ll update the video when he releases the feature-length scenes, K?)

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Please leave your comments! Thank you.

(be sure to check out the mothership, https://achilliad.wordpress.com)

Today’s Musikal “Cloud” Crowd Computing

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I like to be honest  and admit that I am not perfect all of the time.  More of us should embrace this policy- especially the politicos.  Regardless,  I will let you know that I did not understand the lyrics of every hit record that sounded great, or was a hit back in the glory days which defined my youth. This is what “tune wedgies” are for!  If you have lived two score and more, these tunes will gin-up into your brain if at all you were or are musically “insane”, like I am admittedly.

A horse named “Crowd Computing” won this year’s second leg of The Triple Crown, The Preakness Stakes. It did not last long and was maybe a sore name – yet of this generation.

Therefore, as Thoreau might have said, “music is of utmost importance, the very essence of life itself. According to him, music links humankind to nature, to the universal divine, and it offers to those who listen closely the potential for transcendence.

Fast-forward with diligence to the lyrics of The Rolling Stones and even further into today, I find that we often do not hear at first all of what the singer is saying, but in due-time, The Creator marries our ears to hear the originally intended message at the appropriate time in our lives – it becomes crystal-clear (with the help of on-line lyric translations, of course, lol!)

Thus is my latest “tune wedgie” and a few British lines that I never understood until I had to get up out of a light sleep, in the middle of last night to see on my computer. It was awesomely inspired by a SKYLINE t-shirt about “cloud computing”.  So, “Get off Of MY Cloud!” racked in my mental jukebox.  It is funny how that works, a ginned-up favorite song from my comeuppance!

(Actually, I loved this song, but due to the British accent, I never knew exactly what Mick was saying!)

“I live in an apartment on the ninety-ninth floor – of my block
And I sit at home looking out the window
Imagining the world has stopped
Then in flies a guy who’s all dressed up – like a Union Jack
And says, I’ve won five pounds if I have his – kind of detergent pack

I says, Hey! You! Get off of my cloud
Hey! You! Get off of my cloud
Hey! You! Get off of my cloud
Don’t hang around ’cause two’s a crowd
On my cloud, baby

The telephone is ringing
I say, “Hi, it’s me. Who is there on the line?”
A voice says, “Hi, hello, how are you?”
Well, I guess I’m doin’ fine
He says, “It’s three a.m., there’s too much noise
Don’t you people ever want to go to bed?
Just ’cause you feel so good,
Do you have to drive me out of my head ?”

I says, Hey! You! Get off of my cloud
Hey! You! Get off of my cloud
Hey! You! Get off of my cloud
Don’t hang around ’cause two’s a crowd
On my cloud, baby

I was sick and tired, fed up with this
And decided to take a drive downtown
It was so very quiet and peaceful
There was nobody, not a soul around
I laid myself out, I was so tired
And I started to dream
In the morning the parking tickets were just – like a flag stuck on my window screen

I says, Hey! You! Get off of my cloud
Hey! You! Get off of my cloud
Hey! You! Get off of my cloud
Don’t hang around ’cause two’s a crowd
On my cloud, baby

I says, Hey! You! Get off of my cloud
Hey! You! Get off of my cloud
Hey! You! Get off of my cloud
Don’t hang around ’cause two’s a crowd
On my cloud, baby…”

Below, is the original  performance that I will always remember seeing on TV as a boy!  Remember to check out my “mothership” blog since 2009 at http://www.achilliad.wordpress.com please and Comment!

Cheers.

 

“on my cloud, baby…”

 

Manchin Musical Greetings By Paul’s “Salutations”

I dined upon and digested “Salutations” by Canada’s Paul Manchin during the spring 2017 holidays and I must admit that the feast was a smorgasbord of gourmet sounds upon a diverse continental musical menu, unlike any in recent memory. This is not to imply that I loved every utensil on this table setting, however. Then, his CD got stuck in my car radio player for many days, causing me to do even more research on how to free it again so that I could recite these titles to you!   Relatable…very. For me, this is a whole De Ja Vu experience with Paul again.  I first reviewed Paul’s “Truth” and “Expression” while writing for someone named “DJ Ron” who edited About.com/dancemusic circa 2006.  His voice and approach still reminds me of jazz singer, Michael Franks.

Leading with “Take A Ride”, you will hear a concept that anybody can relate to via its narrative description. Who among us hasn’t felt the need to take a car ride to try and forget a failed romance, unrequited love or just to keep from arguing?

“One”, cut two, is the first modest danceable number on the album and my favorite overall.  I play it on “repeat” mode.  Its beat conjures up a combination of the late Aaliyah’s, “Rock The Boat” and the Hues Corporation smash of the 1970s, “Rock The Boat”, just a tad slower [song title coincidence not planned, dear reader]. He bills this as a song “dealing with grief”, yet I do not hear it as dark as that. It is the best pure song on the album and Paul should develop his next effort around this style of “cha-cha”. As many of this effort it ends cold, leaving you wanting more.  I prefer the “vamp to fade”.

The rest of this CD seems to wax and wane between up and downtempo instrumentals with an occasional introspective classic, quiet piano piece interspersed.  You can find yourself in deep thought while listening to these songs and I wonder if the inspiration for some of this music is personal Paul Manchin angst?

So, is Paul an accomplished pianist? No, according to him, he composes and has other musicians play the keys.  I was hoping that it was he on some of those classic tickling the ivories moments like on “Are You Mine?” /featuring Gabriele Tosi.

I heard a mixed bag of intros and themes . For example, track three, “King”, has a familiar dance club intro only to flat-line into a mid-tempo love (?) song. Something strange going on here, methinks…

“I Think I Care” is really slow; “Let U Go” has a much bigger sound, ahead of three, mostly percussive jams – “Personal Space” with the most Afro-electronic beat – and then back to forlorn love on the 100% acoustic guitar, “I Want You To Know”.

Paul adds a couple more nice and promising short, instrumental interludes, including a very soulful instrumental theme on “Coming My Way”, before we bump to the disco beat of the very suggestive sucker, “Lollipop”!  Oh, NOW I am awake! An it’s a good thing because the next selection continues the 4X4 club beat with “spinning/spyros poulos mix. I had to ask, what is a “poulos”? Maybe a Greek DJ remix thing?

Track fifteen, “Down”, is a definite dance club and Rhythm and Blues number – but what is he saying?  “Life” is a good road trip theme song to drive to – if only it were longer. “Exitus” is very listenable and has the same beat of Freddie Jackson’s “We’ve Only Just Begun”.  And Uh-oh, Wow!  I fear the short classic horror movie organ on the title cut, “Salutations”! Which Edgar Allen Poe or Vincent Price character is going to jump-out next?!

To call this album “schizophrenic” might sound “mean” in today’s quasi politically-correct times, and yet it does have two personalities!  Maybe it is more like “Cybill”, lol

“Salutations” is a study of contrasts among twenty tasty tracks. Even though I obviously listened a lot in my car to this, I give it   theater-masks-illustration-representing-three-mask-three-different-facial-expression-happy-angry-sad-37790143    3.5 melancholy face masks out of a possible 5 due to the shortness of the instrumental tracks which seemed like padding.  I would have also liked to have heard those tune play longer and move towards a statement.  Finally, I cannot wait to hear this album on my full-out home music system, instead of in a car, this summer.

Comments welcome.

Check out my mothership at www.achilliad.wordpress.com

Pupon The Don: “Fuel 2 My Fire” Cuts The Mustard

…“You say its love/But you keep throwing stones/You keep on throwing stones…”

 

Pupon The Don

[Los Angeles, March 16, 2016]

Even an “ole skool Gee” like me, from the Frankie Crocker-fueled, 107.5 WBLS FM days, can groove to the Brotha, Pupon The Don and his lament, on “Fuel 2 My Fire” [All Natural Records], which I would like to listen to, one day, on CD!

The bed is a spicy gourmet blend of Trap, Teardrop, synthesized metallic bracelet, strumming Mexican guitar and Reggae sounds with a splash of the dry desert heat of a “High Plains Drifter” riff-feeling musical hook.  Pupon touches all bases with “Fuel 2 My Fire”.  It is part of yet another morph of the sound of Hip Hop in the twenty-first century.

“Fuel 2 My Fire” is about a relationship where one significant other’s constant accusations aggravate the other to the point that he will not take it anymore, yet turns it on its “muthaf**in” head into poetic motivation; “You say its love/But you keep throwing stones/You keep on throwing stones…”

I like the dope way it fades in and then, using slowdown feature, pauses before riding into the fire of independence.

Last year, “…The Don” established his own record label, “All Natural Records”.  There he is connecting with fellow rappers like Swavy Mac and No Cence.  What remains to be seen is whether Pupon The Don will impact the world as not only a recording artist, writer and producer, but as a successful Activist upon his utopian goal of “creating music the whole world can build their future on”.

I have heard that same utopian ideal from several Millennials in the past week, alone – even from my own generation. I pray music can be an offensive weapon that helps to smite the negative barbarians who try to upset our peaceful world these daze.

There is no grey (Pupon) area! The Don cuts the mustard on this single and I look forward to the album and video (which I will add below in the future) soon.  Since it is now my latest mental “tune wedgie”, I rate this track with‘four dropped mics’ out of five.

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Please feel free to leave your comments.

(if you are not familiar with the idiom “Cut the Mustard”, click here) http://www.urbandictionary.com/define.php?term=Doesn%27t+Cut+the+Mustard

Hellooo, Southern Halo!

“…The more I listened to their close-with-a-modern-edge storylines and harmonies, the more I realized that they are poised to become the latest legendary singing sister trio! The Andrew Sisters and my friends The Pointer Sisters immediately came to mind…”

Halo

 

I received a CD in the mail with a little handwritten note on the back of an invitation flier asking me to please enjoy and review their album after I listened.  It was from Natalia, Christina and Hannah, the ladies of Southern Halo, who hail from Cleveland, Mississippi.  I am thinking that maybe they were named after the famous thoroughbred race horse, since the sister’s bio mentions horses a part of the pets they love and care for.

The more I listened to their close-with-a-modern-edge storylines and harmonies, the more I realized that they are poised to become the latest legendary singing sister trio!  The Andrew Sisters and my friends, The Pointer Sisters, immediately came to mind.  The album features a family affair of catchy song concepts and lyrics which reflect their regional realities and grow on your ears with each listen.

You will really hear and feel the church bells “ring-in’” the album as the trio are cantillating “Little White Dress” which is a wedding day song.  I imagine all three marring simultaneously, but then again, they are not “triplets”, so that might not work. A great lyric here is, “My Daddy says I’m a handful, I’m just a little bit wild and free…” Every time I heard them sing, “fun, fun, fun” I had a Beach Boys moment. I kept waiting for “’til her daddy takes the T-bird away” lol

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As they move into the intro of “Rewind”, you’ll hear a soulful organ in the background.  I love the ballad”, I don’t Wanna Move On”, which I would subtitle, “Tonight, Tonight, Tonight”. It climaxes sweetly with a nice instrumental interlude.

“Over You” has a unique hook and it took many listens to try to figure-out what I was hearing in-order to describe it for you and the best I can glean is, ‘Ohh-ver you.” (maybe a lyric sheet needed on their website?).  Is it, “I’m now, ow, ow, ow, ooo-ver you for the last time…”  I’ll look for your translation in the “Comments” section below. There is good background guitar and instrumentation work on this selection especially.

“Moonshine”, cut number six, is my first favorite upon initial listens in my car one sunny day. A standout lyric is, “And he’s kissin’ on me and I’m lovin’ it.” Aww.

Remember that little note I received?  It mentioned that the “latest single is “Living Like That”.  Well, it too is a rocker, not as energetic; might grow on the fans and they can do better – like the very next song, the amusing and descriptive poetry of “Cowboys”, featuring more, crisp percussion from Nick Buda per the CD liner notes! I’m a little more confused as their press release denotes Christina on drums.

Finally, I like the last hard rocking good Southern USA Country rock of cut of track ten, “I Ain’t Crazy (But My Daddy Is)”, which is another take on the shotgun wedding tradition, in my opinion.

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There is not much that hasn’t been said or written about Southern Halo, whose sound is full of feel-good fun and charming southern comfort.  Compromise will continue to be the straw which stirs the showbiz togetherness drink with the group going forward.

I give them Three Acoustic guitars out of five for this 2015 release, while praying for more big things to come for these growing siblings, who are on their way to perform in London U.K. as I compose this review.

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“Bon Voyage” Ladies!!, “knock ‘em dead” and “Y’all come back now real soon, to do more new music, ya hear?”

Be sure to check out my original blog for more older “My Vinyl” posts at www.achilliad.wordpress.com 

Both Sides of Rick Monroe Music – “This Side Of You” – Recorded and “Live!” Nu Music Revu!

” I think that “This Side Of You” could be used as background theme during the love-making scenes of the recent movie, “Deepwater Horizon”!’

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It took a few days, but now this song is officially another “tune-wedgie” that plays as added to my mental jukebox rotation of hits.

“Gypsy Soul” is the forthcoming new album by the amazingly well-traveled for such a youngster, Rick Monroe, who should be a diplomatic Ambassador, having just read a lot of his biography. Maybe it is a future career move, but for now he happily calls Nashville, Tennessee his home.

I saw Rick Monroe for the first time, when he arrived from the behind the stage entrance of the club and when he recognized me, I saw in the smile that broadened his face a very engaging, friendly and approachable rising star.  It was as if we were old acquaintances. I instantly got the feeling that he and I could have kicked it about music and radio for hours, but he had only moments before he had to take the stage; maybe next time, for that conversation and a more in-depth interview; so we had one of his band mates take a couple photos!

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When I mentioned reading about the new album, he talked glowingly about his co-producers, Jason Duke and Ryan Griffin, and the genesis of the current hit single, “This Side of You”, which he played early during his first set and some of which I caught on video (below).  I think that “This Side Of You” could be used as background theme during the love-making scenes of the recent movie, “Deepwater Horizon”!

Rick Monroe has a good, self-deprecating stage-presence and he kept the songs moving without a whole lot of endless “blah-blah-blah” between selections.  The venue’s sound was not the best sometimes.  I could not understand some of his segue way between songs comments often and maybe that was due to whoever was mixing his sound from the DJ booth or maybe it was more tuned for the line dancing warm-up hour’s clientele?

While Rick commands the center-stage, his three other men support the sound without upstaging him.  They seemed in-sync and well rehearsed without sounding stilted. As a former drummer, I found his a very solid and tight percussionist. They displayed good stage action and choreography spontaneously.

Suddenly, my own audience interaction is interrrupted as apparently some radio station promotion prize winners invade the VIP with me. I leave the area to shoot more Rick Monroe video.  He leaves stage at one point to briefly mingle and orchestrate amongst the crowd without missing a beat.  I almost missed it, having glanced away to the radio contest winners.  Speaking of “radio”, “This Side of You” is His set featured an assorted a mix of southern rock and folksy blues-style Country Pop, which really impressed me when they surprised my ears by covering one of my all time Allman Brothers favorites from 1970, “Midnight Rider”. Well done!

Rick plays a Framus acoustic guitar, whose design feature makes its body look bigger than most I used to see in Nashville!  Is this true or just my vision?

As an aside, from being in the din of the Saloon that night, I must reiterate that sometimes we speak the same language, yet have to slow-down to really listen to each other (especially with loud music playing in the background),  in order to understand across regional spoken colloquialisms and accents.

Thank you again and major props to Martha Moore, who set me up with this opportunity and also praise God for placing me in the area at this time.

Major Props to his Manger, Andrea and Bob who managed the Saloon that night and to the whole din of Honky Tonk Saloon (that is really the name of the place!), in Ladson, South Carolina, at the end of February in 2017. Who knew, a year ago, I would be in Charleston, just twenty minutes from one of SoMuchMooremedia’s artists in order to cover this event??!  I saw everything from Line Dancing, a “Billy Jack” lookalike to guys in Hells Angels jackets representing states all over the USA while I waited meeting the positive and country-cool Rick Monroe.  I would love to add the physical CD of this album to my collection when it drops.

Here is a studio preview that runs about the same length as my live shot, lol

I rate “This Side Of You” with four, slow-dancin’ “geetars”.  four-electric-guitars-t-shirt-men-s-premium-t-shirt

 

(Please check out my other, random about anything blog, http://www.achilliad.wordpress.com)